Today I’m lucky enough to be able to handover my blog to none other than Alison Morton!!!
For those who’ve been with me a while you should know the name very well. Alison has become a firm favourite, writing strong female character driven plots that really get the reader hooked.
Alison has a new book out this week Double Stakes so what better way to celebrate than a little guest post and a bit about the new book…
Look out for my review coming soon too… I’ve been looking forward to getting back into the authors world 🙂
Without any further preamble I’ll let Alison take it from here….
Tough heroines
‘Tough’, ‘feisty’, ‘kick-ass’ – clichés, ironic or signposts? And, provocative question, would you apply those words to men? Perhaps the first one and possibly the third, but I can’t remember reading about a ‘feisty hero’.
That aside, how do you recognise a tough heroine?
Boudica, queen of the British Iceni tribe – led an uprising against the occupying forces of the Roman Empire.
Katniss Everdeen from The Hunger Games – physical skill and strength of character
Eowyn from Lord of the Rings – fights for what she believes to be right
Jane Eyre – strength of will and character to survive challenges in her life.
Or perhaps Violette Szabo – a true story immortalised in Carve her Name with Pride – courageous, understated, self-sacrificing
Lizzie Bennett – smart, witty, full of integrity to the point of recklessness, but honest enough to admit when she’s wrong.
Early Roman Cloelia who led the escape of hostages from Lars Porsena c.508 BCE
Arya Stark from Game of Thrones – tough physically, mentally and emotionally
Some common themes here…
So how do you write a tough heroine?
The biggest challenge is plausibility. A completely accomplished all-singing, all-dancing toughie doesn’t work. Yes, this kind of operator needs to be strong, skilled and savvy, but her life will be much more than that. And she’s unlikely to have been born like that, unless genetically altered in a future far, far away. Even Hanna, (2011), the sixteen-year-old girl who was raised by her father to be the perfect assassin started as a ‘standard’ child.
Readers need to see where she came from, what turned her from an ordinary girl into the book’s heroine. Often, she passes through a formative traumatic event but writers need to give hints early on in a story about resilience, integrity and an ability to change, even if the heroine herself doesn’t realise she has those characteristics. Undoubtedly, a strong female character has to have an equally strong will and a passion to drive through what she believes in.
In the Doubles series, Mélisende (or informally, Mel) is an experienced intelligence analyst with the French special forces. In the first novel, Double Identity, she’s just resigned after ten years’ service. So she’s competent and has well-developed combat skills. But living in a military bubble since leaving school at eighteen, she’s sometimes not streetwise in civilian life. She does learn – and fast!
In the first chapter, we see her face up to the ultimate horror, but shocked as she is, she draws on her years of training to get through it. She’s determined and knows she must see things through to the end.
In Double Pursuit, the second novel, she’s handling the case well, apart from somebody pulling a gun on her. But she knows how to deal with that. Her real fear is having to return to a desolate place where a former colleague had callously left her to die.
In Double Stakes, just out(!), Mel finds everything shifting around her. She’s starting to doubt her own ability. But at the climax of the plot, she must make a stand on principle or lose everything.
Beware of bunny rabbits and kittens…
Another challenge when writing a tough heroine is not falling into the trap of making a strong character have moments of unbelievable weakness. Doubt, a temper, love, joking with colleagues, buying gifts for friends, sympathising with their problems all help to round a character out, but writers must not go too far into fluffy-bunny-land and over-compensate for the toughness.
A military type will drink and swear – it’s the pressure of the job – but she will have the normal emotions of any other woman, although expressed differently. Mel under pressure can feel aggressive towards people who have hurt the people she cares about, but it’s her way of showing she cares.
Few people want to read about Miss Perfect. A know-it-all is boring and would not engage the reader. While we’d like our heroine to know right from wrong and act on principle and generally positive values, we do like her to show some normal weaknesses or failings. Cliches such the drunk, divorced police office with a wayward and stroppy teenager, or an unfairly sacked spy, or an agent framed and serving a prison sentence should also be avoided. Readers are becoming fed up with these.
So what do readers want?
Something different! Writers hope readers will find their main character interesting, intriguing or even fascinating. They don’t have to like that character, but they do need to want to know what’s going to happen to them. When the big shock hits and the heroine realises she’s in deep trouble and starts devising a plan to get out of it, then hopefully readers want her to succeed.
But of course, her life is not going to be an easy one. Betrayals, harsh choices, lies, guilt, natural conflict sharpened up by misunderstandings, bad attitude, kidnapping, knifings, trust broken, pursuit by maniacs, weakness, bad temper, death before dishonour, red herrings, comrades of twenty years dying, impossible deadlines to disaster, irrationality, frustration, stomach turning twists. And the agony of watching the character walk towards certain doom…
These are what readers want to see. So we as writers have to give our heroes and heroines the worst possible time. Then again. And again. The core of a good read is watching how the heroine and hero get through everything that’s thrown at them.
Courage doesn’t come from ‘boldly going’, but from boldly going when you are half scared to death and you’re not at all sure you’re going to get out of the situation without being ruined or killed. And that’s what a tough heroine looks like.
I’d like to thank Alison for a wonderful post, I’ve always found Alison’s thoughts into writing tough heroines insightful and I continue to have my eyes opened!!
So about the new book, here’s the blurb
Double Stakes
A kidnapped daughter. A rigged election. A family under siege.
Former French special forces intelligence analyst Mélisende is desperate for recovery time after a gruelling mission. But when enforcers attack her family home in rural France, she uncovers a shocking truth – her sister-in-law’s gambling debt has put them all in danger.
Before Mel can untangle the crisis, she is ordered to Germany, where the daughter of Achim Nessler – the front-runner for chancellor – has been abducted. The kidnappers’ goal? To force Nessler to throw the upcoming election, paving the way for a hard-right victory that could upend not just Germany, but all of Europe.
Racing against time, Mel and fellow investigator Jeff McCracken dive into the murky world of extremist politics where old wounds and new betrayals collide. But as their hunt leads them deep into eastern Germany’s shadows, Mel discovers a chilling link between the case and her own family’s troubles.
Now, with both a nation’s future and her loved ones at stake, Mel must risk everything to stop a conspiracy that hits closer to home than she ever imagined.
Double Stakes is the third in the Mélisende Doubles thriller series
Buying links for Double Stakes
Ebook – all digital retailers: https://books2read.com/DoubleStakes
Paperback: https://www.alison-morton.com/where-to-buy-double-stakes/ (as links become available)
Author Bio
Alison Morton writes award-winning thrillers featuring tough but compassionate heroines. She lives in Poitou in France, the home of Mélisende, the heroine of her latest three contemporary thrillers, Double Identity, Double Pursuit and Double Stakes.
Her eleven-book Roma Nova thriller series is set in an imaginary European country where a remnant of the ancient Roman Empire has survived into the 21st century and is ruled by women who face conspiracy, revolution and heartache but with a sharp line in dialogue.
Six years’ military service, a fascinating with ancient Rome and a life of reading crime, historical and thriller fiction have inspired her writing. On the way, she collected a BA in modern languages and an MA in history.
For the latest news, subscribe to her newsletter at https://www.alison-morton.com/newsletter/ and receive ‘Welcome to Alison Morton’s Thriller Worlds’ as a thank you gift.
Social media links
Connect with Alison on her World of Thrillers site: https://alison-morton.com
Facebook author page: https://www.facebook.com/AlisonMortonAuthor
Alison’s writing blog: https://alisonmortonauthor.com
Instagram: https://www.instagram.com/alisonmortonauthor/
Goodreads: https://www.goodreads.com/author/show/5783095.Alison_Morton
Alison’s Amazon page: https://Author.to/AlisonMortonAmazon
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Monarchs of Britain all share one thing in common. In their lifetimes, they were the most powerful individuals in the land.
Without condoning anything that John did, perhaps in his own way, he was doing the best he could in a very difficult situation while trying to stop the English economy from going belly up. He may have gone about it rather badly by throwing tantrums and taxing everyone to the max and he certainly had an escalating cruel streak, but maybe this escalation began for a very good reason. He had an unreliable brother who was taking every bit of spare cash he could lay his hands on out of England leaving John frustrated and scrambling around trying to make ends meet.







